So this past weekend, Season 7 of Doctor Who premiered. We get BBC America. Naturally, I commandeered the TV for watching a little Who. I won't spoil it for you, I promise, but there were Daleks (the name of the episode mentioned them, so really, not a spoiler.) After that, I watched Sherlock Holmes (the 2009 movie.) The night before, I had started watching The Hitcher (from 1986) on Youtube, and finished that movie up.
That's quite a lot of input into my poor little brain. I ended up having some dream in which there was a suicide note and I was turning into a Dalek. Pretty tame, actually. I had a dream with bandaids that made me gag, so I'll take the Dalek thing over that any day. (I hate bandaids.)
Lately I've been on an 80s kick. That happens every couple of years. Literally I will possibly soon be all about the 90s, which is when I actually grew up. But the 80s fascinate me right now, and coincidentally, a lot of my favorite movies were made then. I'd read some good reviews of The Hitcher (the original) and checked it out.
It was a decently creepy movie. There was gore, yes, but not a lot of it, no more than anything I've seen watching any of the crime shows I watch. It wasn't a slasher flick, in other words, but very psychological.
But they made a remake in 2007.
Sean Bean played the antagonist.
I haven't seen that one, and I don't really want to. For one, I can never really take that actor seriously as a bad guy. He's too human. He might play a criminal, but he's never unlikeable. Also, 2007 is possibly one of the worst years you could have picked to make a movie in which a lower antagonist is the absolute isolation of the highway, with no cell phone and no one you can trust. The original was scary because if you were driving alone, then you were really driving alone and unconnected.
So I wonder how the approximately million remakes coming up will hold together. I mean, they already remade Footloose. I don't know if it was any good, but it appeared to be all about country music and line dancing, with all the fun of a CW "next week on" promo. Pretty in Pink is most likely next, and I've already heard that they're remaking Dirty Dancing, though that may be just a rumor. (Hopefully a rumor, because it would probably be just pretty much one of the Step Up movies, and uhm, ew.) They've already remade Red Dawn. I saw the trailer, and it looks to be pretty good, from a technical movie standpoint. But is it believable?
*sigh*
I feel old. I'm defending movies older than me.
I'm gonna be like one of those kids I knew in college, who were born at the age of like 85, only unlike Benjamin Button, never got younger.
Someone get me some sugary cereal now. I need to grow down.
Showing posts with label apocalypse movies. Show all posts
Showing posts with label apocalypse movies. Show all posts
Tuesday, September 4, 2012
Remakes, or I Think I'm Old Now
Labels:
1980s,
1990s,
30 Days 30 Posts 30 Chapters,
apocalypse movies,
childhood,
classics,
movies,
red dawn,
remakes,
scary movies,
zombies
Wednesday, June 6, 2012
The All-American Drive-In Theater
Okay Google. I'll bite.
Today is June 6, and for students of history such as myself, it is the anniversary of the Invasion of Normandy, an event that gave the Allies a nice little foothold into Europe. Germany surrendered less than a year later.
Yet Google has instead chosen to observe the founding of the first drive-in movie theater.
I do understand though. Google has never been just what everyone expected, and everyone expects a moving tribute to the men who fell from the sky and the ones who stormed the beaches. Possibly a flag should wave somewhere. Google is on a quest for uniqueness.
I swear I can link the two. Watch me make logical magic.
The drive-in theater is an icon in American culture, the latter of which would not be the same thing it is now without a decisive victory for the Allies in WWII.
So I shall now observe the All-American drive-in movie theater, examined psuedo-closely in three films.
Many a film, in an interesting meta-ish practice, depicts teenagers going to the drive-in on the weekends. Ususally these are older films, so the nostalgia is there.
In 1978's Grease, the drive-in watches over the students of Rydell High School and acts as sort of a parental figure. The cool parent. The one good with everything, just there to make sure you're okay, but hey man. It's cool. Whatever. It's the sympathetic shoulder to cry on because that scene in particular is where Sandy and Danny break up. It's back there all "Hey, it'll be okay. Life will get better, I promise."
A tragic, but ultimately uplifting appearance of the humble drive-in theater is in 1984's Red Dawn. In this film, the small town of Calumet Colorado (which is both real and fictional*) is invaded by Soviet troops. The drive-in theater is fenced in and converted to a reeducation camp. We see it twice, once when two brothers and a friend sneak there and find that their dad is imprisoned, and where they effectively say goodbye to him for the last time. In the background is the drive-in theater, blasted with Soviet propaganda. And it just stands there, ever the picture of the slow burn that is the American temper. It will get its revenge, says the screen. You wait. Eventually, that happens when the kids do assault the camp and attempt to free everyone inside, and the projector ends up with graffiti on it, defiantly displaying Wolverines in big letters. The drive-in prevails.
And last but never least is the drive-in's appearance in 1996's Twister. The film's not-quite climax features a huge tornado tearing into the screen while The Shining plays on. Parts of the screen are ripped away as Jack Nicholson hacks wildly at the door his wife hides behind. And the screen just takes it. Like a champ. Truly American.
And so friends, I believe that Google's tribute to the drive-in on this particular date is appropriate, because without the Invasion of Normandy, maybe we wouldn't still have the American tradition of the drive-in.
*It's a ghost town that was abandoned sometime in the 70s. Basically, the makers of the film used the name and setting for a middle America feel, but filmed the actual scenes in Las Vegas, New Mexico. My brother at at the McDonald's that appears in the film. Apparently they're fans of salsa verde on burgers.
**Also, one of my available tags is "disasterssarcasm." It's a great new word and all, but I really don't know how it happened.
Today is June 6, and for students of history such as myself, it is the anniversary of the Invasion of Normandy, an event that gave the Allies a nice little foothold into Europe. Germany surrendered less than a year later.
Yet Google has instead chosen to observe the founding of the first drive-in movie theater.
I do understand though. Google has never been just what everyone expected, and everyone expects a moving tribute to the men who fell from the sky and the ones who stormed the beaches. Possibly a flag should wave somewhere. Google is on a quest for uniqueness.
I swear I can link the two. Watch me make logical magic.
The drive-in theater is an icon in American culture, the latter of which would not be the same thing it is now without a decisive victory for the Allies in WWII.
So I shall now observe the All-American drive-in movie theater, examined psuedo-closely in three films.
Many a film, in an interesting meta-ish practice, depicts teenagers going to the drive-in on the weekends. Ususally these are older films, so the nostalgia is there.
In 1978's Grease, the drive-in watches over the students of Rydell High School and acts as sort of a parental figure. The cool parent. The one good with everything, just there to make sure you're okay, but hey man. It's cool. Whatever. It's the sympathetic shoulder to cry on because that scene in particular is where Sandy and Danny break up. It's back there all "Hey, it'll be okay. Life will get better, I promise."
A tragic, but ultimately uplifting appearance of the humble drive-in theater is in 1984's Red Dawn. In this film, the small town of Calumet Colorado (which is both real and fictional*) is invaded by Soviet troops. The drive-in theater is fenced in and converted to a reeducation camp. We see it twice, once when two brothers and a friend sneak there and find that their dad is imprisoned, and where they effectively say goodbye to him for the last time. In the background is the drive-in theater, blasted with Soviet propaganda. And it just stands there, ever the picture of the slow burn that is the American temper. It will get its revenge, says the screen. You wait. Eventually, that happens when the kids do assault the camp and attempt to free everyone inside, and the projector ends up with graffiti on it, defiantly displaying Wolverines in big letters. The drive-in prevails.
And last but never least is the drive-in's appearance in 1996's Twister. The film's not-quite climax features a huge tornado tearing into the screen while The Shining plays on. Parts of the screen are ripped away as Jack Nicholson hacks wildly at the door his wife hides behind. And the screen just takes it. Like a champ. Truly American.
And so friends, I believe that Google's tribute to the drive-in on this particular date is appropriate, because without the Invasion of Normandy, maybe we wouldn't still have the American tradition of the drive-in.
*It's a ghost town that was abandoned sometime in the 70s. Basically, the makers of the film used the name and setting for a middle America feel, but filmed the actual scenes in Las Vegas, New Mexico. My brother at at the McDonald's that appears in the film. Apparently they're fans of salsa verde on burgers.
**Also, one of my available tags is "disasterssarcasm." It's a great new word and all, but I really don't know how it happened.
Labels:
1980s,
1990s,
20th century,
apocalypse movies,
communism,
drive-in theaters,
google,
movies,
WWII,
WWII history
Monday, May 9, 2011
Surprising Fictional Truths
Should you ever find yourself caught in some dire apocalyptic situation and no action-y guys are on speed dial, here are some key things to keep in mind.
Little Gun, Big Contender
In the event that you should have one on hand, always remember that a snub nose revolver will have the aiming capability and range of a sniper rifle. Keep one on you at all times for those instances when your foe is at a long distance from you.
Aliens Deal in Absolutes
Little Gun, Big Contender
In the event that you should have one on hand, always remember that a snub nose revolver will have the aiming capability and range of a sniper rifle. Keep one on you at all times for those instances when your foe is at a long distance from you.
Aliens Deal in Absolutes
Our neighbors in outer space are here for certain reasons: to save the world, mooch off our planet, or both. They never stop by to curiously check things out or buy a condo in, say, Ft. Lauderdale. No, for some reason we're either endearing to the entire universe or we have really ticked someone off.
Nukes Will Fix Anything
Nukes Will Fix Anything
A nice little blast from a well aimed nuclear bomb is a great tool for any need you might have. If the sun gets tired, take a shot at it. If the core for some reason stopped spinning, a nuke can get it going again, no trouble at all. If a large space object has somehow completely ignored the laws of physics and is on its way to take us out, just get yourself a nuke and a few rednecks and you're good.
Bach Will Save the World
If the aliens mentioned earlier stop by and they're a little annoyed/care way too much about the frogs and trees, play some Bach. It'll win them over real fast.
So there you go. Just a few tips to remember, good for any situation.
Bach Will Save the World
If the aliens mentioned earlier stop by and they're a little annoyed/care way too much about the frogs and trees, play some Bach. It'll win them over real fast.
So there you go. Just a few tips to remember, good for any situation.
Labels:
aliens,
apocalypse movies,
Armageddon,
asteroids,
Bach,
funny rules,
music,
Sunshine,
The Core,
zombies
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